Pet Shop Boys, Its a Sin

I heard this on the radio it has been over 20 years. Now we have youtube. There are two videos out, The original (for those of you like me old enough to remember):

and the new version by famish:


Here are the lyrics:
"It's A Sin"

(Twenty seconds and counting...
T minus fifteen seconds, guidance is okay)
??
When I look back upon my life
It's always with a sense of shame
I've always been the one to blame
For everything I long to do
No matter when or where or who
Has one thing in common, too

It's a, it's a, it's a, it's a sin
It's a sin
Everything I've ever done
Everything I ever do
Every place I've ever been
Everywhere I'm going to
It's a sin

At school they taught me how to be
So pure in thought and word and deed
They didn't quite succeed
For everything I long to do
No matter when or where or who
Has one thing in common, too

It's a, it's a, it's a, it's a sin
It's a sin
Everything I've ever done
Everything I ever do
Every place I've ever been
Everywhere I'm going to
It's a sin

Father, forgive me, I tried not to do it
Turned over a new leaf, then tore right through it
Whatever you taught me, I didn't believe it
Father, you fought me, 'cause I didn't care
And I still don't understand

So I look back upon my life
Forever with a sense of shame
I've always been the one to blame
For everything I long to do
No matter when or where or who
Has one thing in common, too

It's a, it's a, it's a, it's a sin
It's a sin
Everything I've ever done
Everything I ever do
Every place I've ever been
Everywhere I'm going to - it's a sin
It's a, it's a, it's a, it's a sin
It's a, it's a, it's a, it's a sin

(Confiteor Deo omnipotenti vobis fratres, quia peccavi nimis cogitatione,
verbo, opere et omissione, mea culpa, mea culpa, mea maxima culpa)
[trans. "I confess to almighty god,
and to you my brothers,
that I have sinned exceedingly
in thought, word, act and omission,
through my fault, through my fault,
through my most grievous fault"]

(Zero!)

It is fascinating the particular choices of imagery. The original goes with a monastic theme with very obvious almost kitschy sorts of representation of sin. The new version simply presents a modern dance (most of the moves are yoga based) with a stark image of Catholicism. The lyrics themselves are about the impossibility of internal righteousness outwardly. In reality the lyrics are about the issue of homosexuality and how it pervades ones life and causes everything to become "sinful", the lyrics exaggerate to make a point about internal guilt.

But then the 80s video is quite conventional in its notion of sin. Totally divorced from the message. The modern video is in sync with the message about pervasive sin but here the sins themselves are abstract.

I'm not the best art critic. But I feel like there is something meaningful here I just can put into words. Any thoughts?

Goth Music

I just discovered another group which has been around for a long time: Within Temptation. Which reminded me of a point I've thought of making on this blog regarding Evanescence. There is a bit of a renaissance going on with regard to Christian music that with the exception of the emerging church is going completely unnoticed by the broader Christian community.

In 1959 African American Chicago musicians like Ray Charles, Little Richard and James Brown combined the gospel music with R&B to create a new form or rock called soul. Musically there was inspiration from gospel, but lyrically soul music was about the same themes as rock is typically about. With goth music there is often a rock sound, while lyrically inspiration seems to come (perhaps subconsciously) from hymns. Arguably a great deal of goth music is a hymn put to rock music. For example Our Solumn Hour by Within Temptation (Santus espritus is latin for holy spirit):

Sanctus espiritus redeem us from our solemn hour
Sanctus espiritus insanity is all around us
Sanctus espiritus! Sanctus espiritus! Sanctus espiritus!

In my darkest hours I could not foresee
that the tide could turn so fast to this degree
Can't believe my eyes
How can you be so blind?
Is the heart of stone, no empathy inside?
Time keeps on slipping away and we haven't learned
So in the end now what have we gained?

Sanctus espiritus, redeem us from our solemn hour
Sanctus espiritus, insanity is all around us
Sanctus espiritus, is this what we deserve,
can we brake free from chains of never-ending agony?

Are they themselve's to blame, the misery, the pain?
Didn't we let go, allowed it, let it grow?
If we can't restrain the beast which dwells inside
it will find it's way somehow, somewhere in time
Will we remember all of the suffering
Cause if we fail it will be in vain

Sanctus espiritus, redeem us from our solemn hour
Sanctus espiritus, insanity is all around us
Sanctus espiritus, is this what we deserve,
can we brake free from chains of never-ending agony?

Sanctus espiritus, Sanctus espiritus

Evanescene's Fallen (which has sold around 20 million copies) is essentially an exploration of salvation (Arminian theology), though the band has played that down the religious language is striking. The top single from the album Bring Me To Life reads like a salvation prayer (well actually its poetically far better than most of them): just to excerpt the song (which has overlapping lyrics) the chorus reads as follows with the male chorus in in parenthesis and the female chorus without parenthesis:

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
call my name and save me from the dark
(Wake me up)
bid my blood to run
(I can’t wake up)
before I come undone
(Save me)
save me from the nothing I’ve become

Bring me to life
(I've been living a lie, there's nothing inside)
Bring me to life

Christianity today has covered the issue of Evanescene's lyrics twice (on the band's lyrics, and on the group Skillet). Another example from the album is the song Tourniquet which was originally authored by Soul Embraced (part of the Christian death metal movement):

I tried to kill the pain
but only brought more
so much more
I lay dying
and I'm pouring crimson regret and betrayal
I'm dying, praying, bleeding and screaming
am I too lost to be saved
am I too lost?

my God my tourniquet
return to me salvation
my God my tourniquet
return to me salvation

do you remember me
lost for so long
will you be on the other side
or will you forget me
I'm dying, praying, bleeding and screaming
am I too lost to be saved
am I too lost?

my God my tourniquet
return to me salvation
my God my tourniquet
return to me salvation

I want to die!!!

my God my tourniquet
return to me salvation
my God my tourniquet
return to me salvation

my wounds cry for the grave
my soul cries for deliverance
will I be denied Christ tourniquet
my suicide

I'd invite readers to comment. Clearly the goth movement is one of the ones that has come under the greatest deal of attack and music an issue that children are frequently disciplined (at least at home for). Its hard to argue lyrics like the above are not glorifying.

Moreover I've even seen gospel outreach towards goths be attacked. For example Karen Ward (abbess of apostle's church in Seattle, leader / one of the founders of the emerging church movement) runs a very successful outreach to goth teens / 20-somethings called the Santorum Mass which is essentially a 16th century high episcopal mass done very traditional, very high church style (podcast link). The kids love it, and it consistently draws huge crowds of people that would otherwise not go to church. I would consider this to be successful evangelism. Yet this has been specifically cited as an example of the "engage but don't critique flaw" of the emerging church. I suspect most readers would agree with the "successful evangelism" position. And if so then the fact that the goth movement is spontaneously creating fantastical scores for prayers and hymns should be something to be applauded.